The Great Hanoi Rat Hunt: Empire, Disease, and Modernity in French Colonial Vietnam tells the darkly humorous story of the French colonial state's failed efforts to impose its vision of modernity upon the colonial city of Hanoi, Vietnam. Part of the Graphic Histories series, this book offers a case study in the history of imperialism, highlighting the racialized economic inequalities of empire, colonization as a form of modernization, and industrial capitalism's creation of a radical power differential between "the West and the rest." On a deeper level, The Great Hanoi Rat Hunt examines the contradictions unique to the French Third Republic's colonial "civilizing mission," the development of Vietnamese resistance to French rule, and the history of disease. Featuring forty-nine primary sources-many available in English for the first time-and three full-color maps, The Great Hanoi Rat Hunt illustrates the ironic and tragic ways in which modernization projects can have unintended consequences.

All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country's colonial government in the years leading up to Apartheid. In six parts-each of which is illustrated by a different South African artist-All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories-true stories of grit, compassion, and hope, now being told for the first time in print.

Growing Your Business is designed to help owner-managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors' knowledge and experience in successfully helping hundreds of owner-managers to grow and develop their businesses and themselves over the last 20 years.

Filled with case studies and examples of businesses involved with the world-renowned Business Growth and Development Programme (BGP) at Cranfield School of Management, the book covers all industry sectors and includes high-profile names such as Karan Bilimoria of Cobra Beer, Angus Thirlwell of Hotel Chocolat and Lara Morgan of Pacific Direct.

As well as an ideal text for courses and modules in small business development and business growth at the undergraduate and MBA levels, this book also stands on its own as an invaluable 'workbook' that can enable any owner manager to develop their own growth strategy and take their business to the next level.

The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken in by the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 "cells" that compose the book. He and Clarke even take the reader inside archives in Britain and France which are themselves illustrated and their histories explained. Like all the best examples of the genre, Inhuman Traffic tells a compelling story through a complex interplay of image and text - it will keep students reading, and learning, to the very end.

Study Skills for Master's Level Students will help students to develop the skills they need to make the transition from undergraduate to postgraduate thinking, researching and writing. The second edition of this very popular book has been comprehensively updated to include the latest research publications and policy documents. The authors consider the characteristics, expectations and requirements of Master's level study and examine key topics such as: Critical thinking Developing independent study skills Finding and using literature Applying postgraduate skills in the workplace Writing at Master's level How to get published. The book is free of jargon and easy to use, with clearly defined learning goals. Questions and reflective activities support independent learning and enquiry, and suggestions for further reading are included at the end of each chapter. Study Skills for Master's Level Students is ideal for independent study or for use by lecturers in workshop settings. From reviews of the first edition: "A very comprehensive and accessible guide which is contemporary and related to application within the workplace." "Easy to read and well presented." "Very useful; activities excellent." "I thought the complete book is a must for all postgraduate students." "This book is excellent and I wish I had had a chance to read [it] pre my MSc course."

Winner of the James Harvey Robinson Prize from the American Historical Association, and widely acclaimed by educators and students, Abina and the Important Men, 2e is a compelling and powerfully illustrated "graphic history" based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The book is a microhistory that does much more than simply depict an event in the past; it uses the power of illustration to convey important themes in world history and to reveal the processes by which history is made. The story of Abina Mansah-a woman "without history" who was wrongfully enslaved, escaped to British-controlled territory, and then took her former master to court-takes place in the complex world of the Gold Coast at the onset of late nineteenth-century colonialism. Slavery becomes a contested ground, as cultural practices collide with an emerging wage economy and British officials turn a blind eye to the presence of underpaid domestic workers in the households of African merchants. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of "important men"-a British judge, two Euro-African attorneys, a wealthy African country "gentleman," and a jury of local leaders-that her rights matter. "Am I free?" Abina inquires. Throughout both the court case and the flashbacks that dramatically depict her life in servitude, these men strive to "silence" Abina and to impose their own understandings and meanings upon her. The story seems to conclude with the short-term success of the "important men," as Abina loses her case. But it doesn't end there: Abina is eventually redeemed. Her testimony is uncovered in the dusty archives by Trevor Getz and, through Liz Clarke's illustrations, becomes a graphic history read by people around the world. In this way, the reader takes an active part in the story along with the illustrator, the author, and Abina herself. Following the graphic history in Part I, Parts II-V provide detailed historical context for the story, a reading guide that reconstructs and deconstructs the methods used to interpret the story, and strategies for using Abina in various classroom settings. This edition adds crucial value to Abina's story and the reader's experience. These include: - new, additional testimony uncovered in the National Archives of Ghana - a gender-rich section in Part V that explores the Abina's life and narrative as a woman, focusing on such important themes as the relationship between slavery and gender in pre-colonial Akan society, the role of marriage in Abina's experience and motives, colonial paternalism, and the meaning of cloth and beads in her story. - a forum on the question of whether Abina was a slave with contributions by three senior scholars working from different perspectives: Sandra Greene, Antoinette Burton, and Kwasi Konadu .

Growing Your Business is designed to help owner-managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors??? knowledge and experience in successfully helping hundreds of owner-managers to grow and develop their businesses and themselves over the last 20 years.

Filled with case studies and examples of businesses involved with the world-renowned Business Growth and Development Programme (BGP) at Cranfield School of Management, the book covers all industry sectors and includes high-profile names such as Karan Bilimoria of Cobra Beer, Angus Thirlwell of Hotel Chocolat and Lara Morgan of Pacific Direct.

As well as an ideal text for courses and modules in small business development and business growth at the undergraduate and MBA levels, this book also stands on its own as an invaluable 'workbook' that can enable any owner manager to develop their own growth strategy and take their business to the next level.

Chasing a dream is never easy, but if you go far enough, it will set you free. Captain Liz Clark spent her youth dreaming of traveling the world by sailboat and surfing remote waves. When she was 22, she met a mentor who helped turn her desire into reality. Embarking on an adventure that most only fantasize about, she set sail from Santa Barbara, California, as captain of her 40-foot sailboat, Swell, headed south in search of surf, self, and the wonder and learning that lies beyond the unbroken horizon. In true stories overflowing with wild waves and constant challenges, at the whim of the weather, of relationships sweet and sour, of nature's marvels and colorful cultures, Liz captures her voyage in gripping detail in this memoir, sharing tales of sailing in high seas, of solitude and surprises, of finding connection to the earth and commitment to living in harmony with it. She witnesses how her dream leads her to understanding the unity of all things. More than ten years, 20,000 miles, countless adventures, and one cat later, she's still out there.

The Tupac Amaru rebellion of 1780-1783 began as a local revolt against colonial authorities and grew into the largest rebellion in the history of Spain's American empire-more widespread and deadlier than the American Revolution. An official collector of tribute for the imperial crown, Jose Gabriel Condorcanqui had seen firsthand what oppressive Spanish rule meant for Peru's Indian population and, under the Inca royal name Tupac Amaru, he set events in motion that would transform him into one of Latin America's most iconic revolutionary figures. While he and the rebellion's leaders were put to death, his half-brother, Juan Bautista Tupac Amaru, survived but paid a high price for his participation in the uprising. This work in the Graphic History series is based on the memoir written by Juan Bautista about his odyssey as a prisoner of Spain. He endured forty years in jails, dungeons, and presidios on both sides of the Atlantic. Juan Bautista spent two years in jail in Cusco, was freed, rearrested, and then marched 700 miles in chains over the Andes to Lima. He spent two years aboard a ship travelling around Cape Horn to Spain. Subsequently, he endured over thirty years imprisoned in Ceuta, Spain's much-feared garrison city on the northern tip of Africa. In 1822, priest Marcos Duran Martel and Maltese-Argentine naval hero Juan Bautista Azopardo arranged to have him freed and sent to the newly independent Argentina, where he became a symbol of Argentina's short-lived romance with the Incan Empire. There he penned his memoirs, but died without fulfilling his dream of returning to Peru. This stunning graphic history relates the life and legacy of Juan Bautista Tupac Amaru, enhanced by a selection of primary sources, and chronicles the harrowing and extraordinary life of a firsthand witness to the Age of Revolution. .

"I'm thrilled to see that Liz Clark's wonderful breads are reaching a wide public-now everyone can enjoy them " -Nick Malgieri, pastry cook, teacher, author of Nick Malgieri's Perfect Pastry, Great Italian Desserts, and How to Bake. "Liz was a friend of the great Richard Olney both of whom were born in Iowa."-Reviewer "Liz Clark's keen interest in travel, history, and ability to 'tell a charming story from her childhood' is deliciously expressed in her prose as well as her recipes that are distinct and unmistakably accessible to even the most timid bread baker. Her mouthwatering bread recipes gave rise to an urgent desire for a Norman Rockwell 'heel' of warm bread slathered with farm-churned butter]." -Janeen Sarlin, lecturer, teacher, author of Food From an American Farm, The New Meatlover's Cookbook, and Everyday Roasting. About the Author: Liz Clark was born and raised on a farm at the juncture of the Des Moines and Mississippi Rivers in Southeast Iowa. The American Institute of Wine and Food featured Liz as one of the "Leading Chef's of the Mid West" in 1989. Besides this book, Liz is the co-author of Apple Companion, contributed to Barbara Grunes's Heartland Food Society Cookbook, Susan Hermann Loomis's The Farmhouse Cookbook, and the James Beard Foundation's The James Beard Celebration, edited by Barbara Kafka. Liz operates a cooking school and a private, by-reservation-only, restaurant in a restored 1847 Italianate Villa-Style house on a bluff above the Mississippi River in Keokuk, Iowa.

Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols-leaving widows and orphans in their wake-the British (according to supporters of boxing) tended to settle their disputes with their fists. Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society towards its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene: Classical Hollywood Revisited, edited by Philippa Gates and Katherine Spring, showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century. Resetting the Scene includes twenty-six accessible chapters and an extensive bibliography. In Part 1, Katherine Spring's introduction and David Bordwell's chapter reflect on the newest methods, technological resources, and archival discoveries that have galvanized recent research of studio filmmaking. Part 2 brings together close analyses of film style both visual and sonic with case studies of shot composition, cinematography, and film music. Part 3 offers new approaches to genre, specifically the film musical, the backstudio picture, and the B-film. Part 4 focuses on industry operations, including the origins of Hollywood, cross-promotion, production planning, and talent management. Part 5 offers novel perspectives on the representation of race, in regard to censorship, musicals, film noir, and science fiction. Part 6 illuminates forgotten histories of women's labor in terms of wartime propaganda, below-the-line work, and the evolution of star persona. Part 7 explores the demise of the studio system but also the endurance of classical norms in auteur cinema and screenwriting in the post-classical era. Part 8 highlights new methods for studying Hollywood cinema, including digital resources as tools for writing history and analyzing films, and the intersection of film studies with emergent fields like media industry studies. Intended for scholars and students of Hollywood film history, Resetting the Scene intersects with numerous fields consonant with film studies, including star studies, media industry studies, and critical race theory.

Each luscious apple recipe was created by one of the best known culinary professionals in the Midwest--Liz Clark. In an Italinate, Villa-Style house, above the Mississippi River in Keokuk, Iowa, Liz prepared each recipe described in this book from Tailgate Pea Soup with Apples to Chicken Liver Pat, with Apples. Recently reviewed in the Des Moines Register, this book will become a classic American cookbook. If the recipes aren't enough to grab your palate, Jill Vorbeck's enlightening story about apples will certainly get your attention. Listing many examples of apple varieties, some known, and others not known, Jill talks about preparing apples for Liz's delightful recipes. You will understand the best way to peel, core, and slice apples quickly as well as know what kinds of apples you can use. We guarantee Jill will assist even the most experienced cook in the preparation of apples.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene: Classical Hollywood Revisited, edited by Philippa Gates and Katherine Spring, showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century. Resetting the Scene includes twenty-six accessible chapters and an extensive bibliography. In Part 1, Katherine Spring's introduction and David Bordwell's chapter reflect on the newest methods, technological resources, and archival discoveries that have galvanized recent research of studio filmmaking. Part 2 brings together close analyses of film style both visual and sonic with case studies of shot composition, cinematography, and film music. Part 3 offers new approaches to genre, specifically the film musical, the backstudio picture, and the B-film. Part 4 focuses on industry operations, including the origins of Hollywood, cross-promotion, production planning, and talent management. Part 5 offers novel perspectives on the representation of race, in regard to censorship, musicals, film noir, and science fiction. Part 6 illuminates forgotten histories of women's labor in terms of wartime propaganda, below-the-line work, and the evolution of star persona. Part 7 explores the demise of the studio system but also the endurance of classical norms in auteur cinema and screenwriting in the post-classical era. Part 8 highlights new methods for studying Hollywood cinema, including digital resources as tools for writing history and analyzing films, and the intersection of film studies with emergent fields like media industry studies. Intended for scholars and students of Hollywood film history, Resetting the Scene intersects with numerous fields consonant with film studies, including star studies, media industry studies, and critical race theory.

Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its "invention of tradition", Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives such as that of the rugged pioneer or the "good war" through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

When 16-year-old Raeesha ran away from Jasmine House to avoid a forced marriage to the cruel Amir Qilij, she didn't know she was running into the arms of foreign invaders. Nor did she expect that her simple disguise, as a boy, would become her permanent identity. Now, she finds herself enlisted in a cause not her own, drawn ever closer to the charismatic Gen. Singer, and into a world of battles, intrigues, desperate ventures, and wonders. See the book trailer: http: //www.youtube.com/watch?v=290vb3vaeAc

James Baker contributes a detailed and well organized story about cranberries from the pre-colonial period to the present day. Liz Clark's marvelous and mouthwatering recipes will alert everyone to the nutritional and culinary value of the cranberry. Cranberries are more American than apple pie. It wouldn't be Thanksgiving without cranberry sauce, and Christmas dinner in America would be incomplete without the traditional cranberry condiment.

Take a trip with a Danish immigrant as he arrives in New York in 1916 with his $50.00 needed to pass through Ellis Island. Read Haldor's (Hal's) reaction to seeing the City of New York with the skyscrapers that he had never envisioned. He is amazed at seeing the first Negro people he has ever seen. Travel with him to upstate New York as he tries his hand at farming and then the owner of the farm sees that he is not a farmer. Mr. Ogden likes him enough to get him a better job as a chauffeur for a wealthy politician in the nearby town of Chatham. He is hired to drive a new car called an Owens-Magnetic and he has to travel back and forth to New York both to learn to fix it and eventually drive it. He meets interesting and influential people through the Hon. Louis F. Payn, his boss. He has the opportunity to travel to Bermuda and work at landscaping and tending the horses for Mr. Payn. Read what it was like to live in America in the early 1900's. Experience riding with Hal in a car from New York to Florida - when there were little to no paved roads south of Washington, D.C. Experience his excitement and his loneliness and then pray for him, as he lies near death from contracting Spanish Influenza. This was a deadly flu that was killing thousands of young people around him.

Take a trip with a Danish immigrant as he arrives in New York in 1916 with his $50.00 needed to pass through Ellis Island. Read Haldor's (Hal's) reaction to seeing the City of New York with the skyscrapers that he had never envisioned. He is amazed at seeing the first Negro people he has ever seen. Travel with him to upstate New York as he tries his hand at farming and then the owner of the farm sees that he is not a farmer. Mr. Ogden likes him enough to get him a better job as a chauffeur for a wealthy politician in the nearby town of Chatham. He is hired to drive a new car called an Owens-Magnetic and he has to travel back and forth to New York both to learn to fix it and eventually drive it. He meets interesting and influential people through the Hon. Louis F. Payn, his boss. He has the opportunity to travel to Bermuda and work at landscaping and tending the horses for Mr. Payn. Read what it was like to live in America in the early 1900's. Experience riding with Hal in a car from New York to Florida - when there were little to no paved roads south of Washington, D.C. Experience his excitement and his loneliness and then pray for him, as he lies near death from contracting Spanish Influenza. This was a deadly flu that was killing thousands of young people around him.

When a group of preservationists, three ghost hunters, and a documentary film crew all converge at the same time on a deserted "ghost town" in Wyoming, decide to collaborate on the documentary, and begin clean-up of the town and cemetery, things take a sudden change with the discovery of a very 'new' body, in the very 'old' cemetery. Who is she? How did she get there? Shell and Joe can't resist getting involved. But are there ghosts in Ghost Town? Read it and see what a small girl discovers on the stairway of the old bordello.

If you've read previous books by Liz Clarke, on the "Shell" series, you've met the aunt who raised her. Aunt Ellie now lives in Charlotte, North Carolina and has acquired a mixed breed, very large, shaggy pup named Mutt. While dog walking, Mutt decides he's part bloodhound, and being stronger than his owner, he drags her off the path to the scene of a murder. You will also meet Kathryn (Kat) Banks, members of her family, a local judge who also violates the law by feeding the ducks at Ellie's favorite pond. They attempt to assist the victim's daughter, who has been left to operate the family business, a well-known restaurant. Ellie takes a job as chef in an attempt to catch a killer.

A chance encounter with a stranger in a cemetery, and an agreement to assist in what seemed to be a simple genealogical query, soon turns into two questions: "Who Was Erin?" and "Who murdered Aaron?" over twelve years ago. Never one to let a good mystery pass her by, Shell, with the aid of husband, Joe, sets out to find answers. This cold case file eventually leads Shell and her newly acquired entourage to Ireland and back. They soon feel they know the answer, but can they prove it?